Second, AMA/Importing ProRes at matched frame rate works great. Know Your Formats. Both are good mezzanine codecs. Now a Panasonic GH4 with Atomos Ninja Assasin recorder will join the mix. ago. Follow; Report; More. 1. 1091 posts • Page 20 of 22 • 1. Either are fine, you're hard pressed to see the differences unless you have challenging content or zoom in , or are used to seeing these things. PRO RES VS DNxHD. So you don’t need to worry about generation loss. We tried the update but this issue is a fundemantal. One of the reasons that some cinematographers and colorists questioned the logic was that they saw ProRes as “old” and “inefficient” while. The real test of a codec isn't what the unprocessed image looks like on the screen, it's h. h. Report. Apple ProRes formats, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats. There is no way XAVC-I 100 produces better result than DNXHD 185. You may be surprised to find out that YouTube will even accept high quality video formats like ProRes, DNxHD and uncompressed 10-bit HD video. Report. Since we don't have ProRes rendering on Windows, I expected to see at least DNxHR and hopefully CineForm as proxy formats, but on Windows we only get H. 264. Long answer: Hardware manufacturers (cams, dvrs, atomos, gopro, etc) still encode their captures with these codecs, and we need them for compatibility of workflow projects. We ask for ProRes Proxy 1920X1080. Please use Quicktime MOV. Any difference between is mostly negiligible. DNxHD and ProRes are great for working/editing, but not so great for projection and AC3 isn't officially supported by QuickTime so that could throw up potential issues. unlocked audio). You will also likely encounter DNxHR again and. Please preserve the resolution, aspect ratio, frame rate, and color space of your project. NB: As long as a footage doesn't contain superwhites, encoding to DNxHD 4:2:2 with Color Levels set to '709' may yield even better result than encoding to DNxHD 4:4:4. ProRes 422 and DNxHD definitely reduced the file size, but still too large. Votes. This is a subreddit dedicated to Atomos products. Either ProRes 422 or ProRes 422 HQ codecs are preferred however DNxHD is also acceptable. First look up the bitrate you need to set on this table based on the framesize, fps and desired quality level. I knew that at some lower bitrate, H. The artifacts in cineform are smoother, more organic. 264, and just by being intra-frame the playback performance while editing should be. ProRes 422 LT. DNxHR and ProRes are comparable in quality at the same bitrate. Anything else is just an implementation decision, so up to BM. Video Space Calculator. Another possibility is that CineForm will gain in popularity in relation to other intermediate mezzanine codecs like ProRes and DNxHD. Below is data taken from Nuke's online documentation on different bit rates you may use: • 1080p/24 350x, 175x, 175, 115, 36 (same at 23. The place for questions about shooting with Blackmagic Cameras. Resolution: DNxHR HQX 10-bit. Dual built in SD card recorders save files from any camera in 10‑bit 4:2:2 ProRes or DNx formats. These offer varying levels of compression that result in different file sizes. Common as an editing and. h. 12 posts • Page 1 of 1. The biggest advantage of DNxHD over Cineform is that DNxHD compatibility is much greater. Render previews of any clips with effects and clips that are not the same as the new smart. ProRes is an excellent codec for editing and finishing. See the DNxHD example above. This means that the lower bitrate DNxHD/HR files might not have adequate bit depth for high quality deliveries. DNxHR, HEVC, AVC, etc. Currently I'm just using Resolve to process the conversion. Alpha: Uncompressed. DNxHD vs DNxHR. DNxHD, DNxHR, ProRes and Cineform are all what are known as "intermediate codecs". Internally all Avid CoDecs use a fixed Gamma and limit the color ranges by default. I consider the following to be valid containers for these codecs. Next, click on the button “Format Options”. Quick question: what are the advantages of using the most common non long-GOP codecs for editing (DNxHD/DNxHR and Prores) vs intra-frame H. Reply. If you are shooting H. mov wrapper, which is going to be different from ProRes and DNxHD, as . They are the same compression, but HD is is HD resolutions only, where HR will scale with any (even numbered) resolution, high or low; HR is the newer version. ビットレート比較. 1 Correct answer. We ask for ProRes Proxy 1920X1080. for use in post-production that supports video resolution up to 8K. As you can see, blocky artifacts are still. 1. For one thing, it will take a lot longer to upload your file. I would just record ProRes HQ in the Ninja V. Avid is more for Broadcast quality, which blends interlaced fields and blurs them together, which, in turn gives a more “analog” feel to the green screen and motion (it. What I did was convert the same clips to both DNxHD and ProRes at around 145Mbps and then opened the task manager and watched the performance meter. DNxHD 36, for example, is a low-bitrate option suitable for offline editing, while DNxHD 175X offers higher quality for online finishing. For heavier grades or multiple compression iterations, Prores HQ should be used. LB (roughly equivalent to ProRes Proxy) SQ (roughly equivalent to ProRes LT) HQ (roughly equivalent to ProRes 422) HQX (roughly equivalent to ProRes 422HQ) 444 (you guessed it, roughly equivalent to ProRes 444) Both the 444 and HQX variants use 10-bit color in HD or less, and either 10 or 12-bit color at 2K/UHD/4k resolutions. The artifacts in cineform are smoother, more organic. for compositing apps, is that there aren't any frame size or rate restrictions on ProRes, as there are with DNxHD, which is quite persnickety about them. fx3搭载ninja v录制的ProRes Raw对比内录最高码率有什么不一样？本期视频还有一个ProRes Raw的优点没有在视频中说明，就是使用fcpx剪辑的优势。可以流畅. Top. A quick comparison between each of the 4k codecs offered on the Atomos Ninja V. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Report. ProRes and DNxHD/R are codecs. Hollywood, California 90038 USA. Upvote Translate. Just export a H. 97 fps. Many formats can "wrap" several different codecs. Official Prores and DNxHD are slightly more noisy compared to Cineform . Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, professional quality "mezzanine" (some editors refer to them as "intermediate") codecs. ago. Prores a little bit better than Cineform. 264 is a delivery codec, meaning it’s designed for the end user to watch stuff with, rather than to be edited with, it’s highly compressed and compressed in ways that make it hard for NLEs to use it. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, professional quality "mezzanine" (some editors refer to them as "intermediate") codecs. 264 to something else is probably a good thing. Apple recently announced that its new iPhone 13 Pro and Pro Max could record in the ProRes format. Author; Message; Steve DiMaggio. There is no 8-bit ProRes. This leads to speedier editing response and less. In the current version of Resolve for Windows, is speed/performance using the above ProRes levels similar to the DNxHD & DNxHR counterparts? Or, if performance is significantly better. It will help you determine how much room you need in order to create an effective and professional-looking video. Similar to Apple ProRes in terms of size and performance, DNxHD, also known as SMPTE VC-3, is Avid’s choice for an editing compression scheme. Yes, PR takes longer to upload (but YT can resume uploading, so you're OK there) and takes longer for YT to chomp through to make the various quality versions. DNxHR doesn't have the strict specs that DNxHD has so they can be different, but don't have to be. ProRes on the Atomos Ninja V. John Paines wrote:The difference is an artifact. One of the most appreciated post-production tools by Apple, Final Cut Pro X, can easily convert MP4 to ProRes without using any other third-party program. 26x and MPEG standards, the ProRes family of codecs use. Codecs are used in video conferencing of all types, all forms of streaming media and in all computer based non-linear editing suites and editing applications. ProRes 4444 XQ. Avid DNxHR, which stands for "Digital Nonlinear Extensible High Resolution", is a lossy UHDTV post-production codec engineered for multi-generation compositing with reduced storage and bandwidth requirements. I generally hear of DNxHD, Cineform, and ProRes as the intermediate codecs to consider if creating mezzanine or intermediate formats for editing or color grading. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, professional quality "mezzanine" (some editors refer to them as "intermediate") codecs. (A list of possible pixel formats can be invoked by running ffmpeg -pix_fmts. Enable real-time high-res and HD sharing and collaboration—even when working remotely. In my experience DNx does run better than Pro Res and encodes faster, but the difference isnt massive. 264 for possible quality though much bigger in file size. I have left Prores and DNxHD behind as mastering / intermediary codecs. H. It appears that ProRes files exported Same-as-source from Avid behave differently than DNxHD exports in a couple of cases. recent versions of ffmpeg are at least able to read dnxhr. I do have an unrelated question though - I am very interrested in purchasing a GoPro 3 Black edition - we actually sold our GoPro Hero2 just the other. As far as the gamma issue, I’ve not seen it within files encoded by Premiere or Redcine; color fidelity was maintained throughout the workflow. The calculator can be used with any type of media, including HD or SD footage, as well as. With codecs for Windows and Mac, as well as being deemed a SMPTE standard, DNxHD may be a more future-proof alternative to Apple ProRes. Avid DNxHD vs. AFAIK it’s the same bit rate and everything, and I will not use any alphas. . Atomos Ninja V) Overview of video codecs & file formats a hybrid shooter will encounter with a practical emphasis on editing & storage. With ProRes the same video uses around 48%. It's also a lot faster to encode than h. 144. Please add Avid's DNxHR and DNxHD for import. Throughout the production pipeline you want to have as flat an image as you can get. ProRes is worse than DNx in every way. Reply. (However, 4444 XQ is a newer format and isn't as widely supported as ProRes 4444 -- yet). Usually using a MXF or QuickTime MOV container. If you’re exporting for say a live concert with LED screens, the difference will be noticeable, eg colour gradients will. This means, for light to medium grading with just one recompression step, XAVC S is perfectly fine. 25 the possible DNxHD codecs are: 120, 185, 185X. DNxHD, on the other hand, goes down to 8bit on its lower flavours with better results at lower data rates…. Besides, as far as I know the Ninja V can't record 12-bit unless you're recording to a raw. 167. ProRes vs. Supported Video Formats and Codecs Mac OS Windows 10 LinuxProRes Proxy - DNxHD 36 ProRes LT - DNxHD 80 ProRes 422 - DNxHD 115 ProRes HQ - DNxHD 175x ProRes 4444 - DNxHD 440x (444) (although ProRes 444 is actually closer in bandwidth to DNxHD 220) Other variants. This. Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. Prores is much nicer to edit than h. That's essentially exporting the AE comp now into a relatively lossless DNxHD format which will render much faster when you render. This was met by industry professionals with a mixture of excitement and incredulity. Therefore, you can absolutely master in the native format of your raw media. The Video Space Calculator or Video File Size Calculator is a tool that allows you to calculate the amount of space needed for your video. CINEMA DNG: 2400x1350 (after. 👍. I need to reinstall MC6 on my system and run it through. A video editor should be able to tell you what codec everything is, or. Most post-houses can utilize a DNxHD master just as easily as a Prores master. The bitrates, workflow and 10bit color depth seem to be the same. Comparing Apple ProRes LT, 422, HQ vs Avid DNxHR LB, SQ, HQ, HQX. atomos. ProRes 422. DNxHR is slightly better than DNxHD. One of the reasons that some cinematographers and colorists questioned the logic was that they saw ProRes as “old” and “inefficient” while. Includes a 5" monitor, 6G-SDI and HDMI connections, ProRes and DNxHD file formats, histogram. Hey Matt, Premiere Pro can also handle DnxHD Footage wrapped in MXF Container with better performance. I found it to be closer to uncompressed in quality. ProRes 444 is 12-bit. I've been doing a lot of codec testing lately in an attempt to figure out a reliable 10-bit workflow between Fusion, Resolve, Vegas and the various other applications I use. Description. Basically, I’m in the VFX stage on my short film and my colorist and VFX artist told me that ProRes4444 would be. dnxhr would be an alternative of very similar quality, but it's quite new and not very well supported by free tools (its predecessor dnxhd is comparatively limted in some respects). Some claim to have noticed performance differences, but studies have shown that the quality and speed differences are negligible. On February 13, 2008, Avid reported that DNxHD was approved as compliant with the SMPTE VC-3. With codecs for Windows and Mac, as well as being deemed a SMPTE standard, DNxHD may be a more future-proof alternative to Apple ProRes. This requires a lot more data than an interframe codec like h. v prores_ks -profile:v 0 -vendor ap10 DNxHD. Calculate the disk space taken up by over 75 codecs including ProRes, Animation, ARRIRAW, DNxHD, XDCAM and DPX. Most often I shoot ProRes HQ. Studio for >=4k/Dolby P3D65. Quality: 100. Long answer: Hardware manufacturers (cams, dvrs, atomos, gopro, etc) still encode their captures with these codecs, and we need them for compatibility of workflow projects. A codec is a specific schema for encoding video or audio data. DNxHD data is typically stored in an MXF container, although it can also be stored in a QuickTime container. Guys I am thinking about moving over to media composer, my main objection to continuing to. Report. 2 Upvotes. 0 which will get clamped, they get lost regardless of 10 vs 12 bit. Another Windows alternative to DNx and ProRes is Cineform, which comes in both 10-bit and 16-bit variants. Short Answer: YES, we still need them and will continue to for a while. Internally all Avid CoDecs use a fixed Gamma and limit the color ranges by default. New Atomos Ninja / Ninja Ultra. Sat May 12, 2018 9:02 pm. Offers nearly all the benefits of ProRes 422 HQ but at only 66% of the data rate. I generally hear of DNxHD, Cineform, and ProRes as the intermediate codecs to consider if creating mezzanine or intermediate formats for editing or color grading. mov, . I find reporting DNxHD 185x as AVID DNxHD 185 10-bit is ok, because it contains the necessary information, bitrate and bit depth. Avid DNxHD vs ProRes for Vegas Editors. 94, DNxHD220 is similar to ProResHQ. ProRes and DNx Target Data Rates. Posts: 357; Joined: Tue Aug 06, 2013 1:29 pm; PRO RES VS DNxHD. The target data is 147 Mbps. 264). DNxHD is definitely more CPU friendly on my laptop. Results can be emailed or copied to the clipboard. And DnxHd had the worst quality. 1 x HDMI and 1 x 3G-SDI Outputs. Playback only of ProRes 4444 QuickTime up to 2160p60 with auto routing of fill and key over SDI A and B outputs. Ryan Provost. I have already read a previous thread already (ProRes vs DVxHD), in which some of you indicate that the details and color rendition seems to be better in ProRes. 264 SDR would result in a black frame. Shoot ProRes/DnxHD in "Film" (log) mode (like log mode on most popular cinema cameras) for projects that may benefit from a bit more DR at the "expense" of some additional required work in post. In the current version of Resolve for Windows, is speed/performance using the above ProRes levels similar to the DNxHD & DNxHR counterparts? Or, if performance is significantly better working with DNxHD. Codec differences DNxHR and ProRes was optimized to be visually lossless through many generations of decoding and re-encoding. The other option that is used with prores is the -pix_fmt option. Ok thank you! MOV (DNxHD/DNxHR) - Popular use with Avid and Premiere MOV (Prores 422/422 HQ/4444) - Popular use with Final Cut X, Premiere and Avid MOV (GoPro Cineform) - Amazing format primarily used in Adobe Premiere The GoPro HD3 black is much better in all regards than the previous models. For lossless source videos, the Apple ProRes is a good choice. pixel format is incompatible with DNxHD profile. Posted August 12, 2020. 264 with a high bitrate? In theory the compression capability, even if is intra-frame only, is better with H. DNxHR is an edit codec (like ProRes). Either ProRes 422 or ProRes 422 HQ codecs are preferred however DNxHD is also acceptable. Yes, ProRes 422 is vastly better than any H. With the 2. Author; Message; Steve DiMaggio. It was designed by software. Wed Jan 29, 2014 5:23 pm. The place for questions about shooting with Blackmagic Cameras. DNxHD uses i-frame encoding so every frame is. Native IMF, IMP, Apple ProRes formats, HT‑J2K, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats, Studio for >=4k/Dolby P3D65/HT‑J2K. ProRes is a compressed format, but one that aims to be “visually lossless”. Meaning that all frames are complete data-sets for that frame. MikeVideopunk. Each one has a few quality levels. Comparing Apple ProRes LT, 422, HQ vs Avid DNxHR LB, SQ, HQ, HQX. Common as an editing and. 264 is an intraframe codec meaning your computer has to look at previous and later frames to decipher what to display in source monitor. Containers have file extension like . Wildly used in post: higher compression for editing and lower for finishing. I’ve been doing some tests of Same-As-source quicktime exports, comparing DNxHD vs ProRes footage. For Windows users considering prores or dnxhd as in intermediate, I would also look at cineform . This. For example, if you are smart rendering to an MXF OP1a format, you must enable the smart rendering check box. A quick overview of the target data rates for ProRes, DNxHD, and DNxHR in Megabits per second (Mb/s). Neil. ) OPinguimVoador. 3 OBS version, DNxHD and DNxHR will encode properly. If you have a properly tuned post production workflow then the amount of times you'll recompress an intermediate video is zero or once; the most common case is recompressing assets like. YUV 4:4:4 10-bits: -pix_fmt yuv444p10 -c:v dnxhd -profile:v dnxhr_444 dnxhr-yuv444p10. I generally hear of DNxHD, Cineform, and ProRes as the intermediate codecs to consider if creating mezzanine or intermediate formats for editing or color grading. Note: Interlaced writing is not supported. This means that they're designed to be used to transcode footage from other sources into a form that's easy for video editing programs to work with while maintaining quality. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. I've personally always wondered if there was actually any difference. DNxHD is definitely more CPU friendly on my laptop. Creative Communities of the World Forums. 265 was designed to maximize quality on low bitrate streaming, especially 4k and 8k. July 31, 2013 at 5:16 pm. Just as a quick tip the various versions of the DNxHD codec are listed by bitrate DNxHD 175 is 175mb/s similar to Prores 422. That means exactly what it says: you can’t tell the difference between your original video and the same material encoded to ProRes or DNxHD. . Premiere suggests DNxHD by default when doing a Render-and-replace of an AE comp. Offline/Online method: Make proxies in for example Davinci Resolve or Adobe Media Encoder or Shutter Encoder – again in an edit friendly codec like ProRes & generally at lower resolution than the original camera files. Video Codec: Apple ProRes 422 Proxy. Advantages, encoding, decoding, settings, and even the way to convert such files. Render the comp and import the result into AE. mov Prores Ultra (for VFX and keeping Alpha Channel). Generally, video editing applications can work more nimbly with such media, and it can sometimes help to coerce esoteric source media from odd formats, or troublesome. Resolution: DNxHR HQX 10-bit. I know in the past ProRes sucked because it - 9759274. If you're working on a project with a lot of footage, then Avid DNxHD may be a better choice due to its smaller file size. 98 footage but different numbers for other framerates is because the bit rate is tied to the frame rate. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. Apple ProRes is built in to the NINJA V and offers three levels of compression (HQ, 422 & LT). The lens is still wide but you can crop the image in the menu giving you less barrel distortion. Here is some blind test 'AVC-Intra 100 vs H. ProRes is built for editing speed, whereas H. Translate. ProRes 422HQ vs DNxHR HQX vs and DNxHR HQ in 4K and DNxHD 220x in FullHD. 976) In the case of 1920x1080 footage, using a frame rate of 24 fps or 23. The chroma and luma are the factors that affect the green screen quality. These codecs, along with Apple_ProRes_422_Codec_Family and Apple ProRes RAW were. Within these two main formats sits 3 sub-categories exist such as ProRes 4444XQ, which is the highest quality version of ProRes 4:4:4:4 - it includes an alpha channel for visual effects and can support up to 12-Bit RGB and a 16-Bit alpha channel, with a target data rate of 500 Mbps. 97 fps. 26x and MPEG standards, the ProRes family of. ProRes Proxy is especially bad. As a consequence, I've discovered that the Miraizon DNxHD and ProRes codecs for Windows only decode to 8-bit (and yet bizarrely. OK, I just did some testing. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. It changed to DNxHR when greater-than-HD resolutions happened. 264 implimentations, they focus on low CPU. HQ/HQX is comparible in quality to ProRes and DNxHD/HR, so you will not loose any noticeable amount of quality (I always use HQX unless dealing with old standard definition footage. ago. These offer varying levels of compression that result in different file sizes. Hi Rick, Thank you for the reply and the examples. H264), the former generates large files than. Delivery: ProRes & DNxHD Files. I create Apple ProRes 422 Proxies (all same settings except. On the other hand, you have to use prores 4444 if you want an embedded alpha channel, which is supported in every DNx flavor. As rec. Get Webdesign, Search Engine Optimization & Marketing Help » highest quality exported video at 422 HQ (3. There are a number of 10-bit video monitors from companies like Sony, Flanders Scientific, Panasonic and many others that support full 10-bit images via a Thunderbolt or PCI connection. Not so much for the colour space, but more so for editing - short of transcoding to something smaller in compression/screen size at post production stage, I'm wondering if DNxHD is less resource intensive and can play a lot better on a Mac. 94 and 480i50, only provides 8-bit color. This version of the codec has 70% of the data rate of ProRes 422 and 30% smaller file sizes. This is a one-time activation for the life of the product. The other option that is used with prores is the -pix_fmt option. Media Express MJPEG vs DNxHD/ProRes bitrates? So I've pretty much given up trying to troubleshoot why I'm getting crackling audio when capturing DNxHD with a Intensity Shuttle thru Resolve (w/ 6 ch. 14. FFMPEG can decode and encode it with alpha. 8. Internally all Avid CoDecs use a fixed Gamma and limit the color ranges by default. 265), and VP9. This is a subreddit dedicated to Atomos products. Conclusion. Watch on. So for example if you were to decode prores raw to some colorspace that either clamps some values or produces values above 1. 26x 和 MPEG. [1] ProRes系列编码器使用基于 离散余弦变换 (DCT)技术的压缩算法，类似于 H. 90. What Ed said. I'm looking to fall back on MJPEG capture on ME, but I'm wondering what bitrate it captures at in comparison to something like ProRes or DNxHD? Well, bandwidth wise, the Proxy form of ProRes or dnxHR LB (low bandwidth) is going to be the best choice. Daniel2 Codec Summary. When I was using DNxHD as the export choice out of AE, I found whe. . Sat Apr 30, 2022 3:52 pm. atomos. Tue Jul 26, 2016 10:42 pm. DPX, or any other combination, you’ve come to the right place. 10-bit 4kp60 Apple ProRes or Avid DNx for extended recording For the first time in a mirrorless camera from Sony there is also a 10-bit 422 HDMI video output option available. 264 footage to lower quality proxy (DNxHR SQ/LB) either externally (ffmpeg) or inside Resolve (via Media Management Transcode - requires Resolve Studio). Single software decoder implementation is not really a 100% valid test. 264, as they maintain quality during editing. 264 or an mpeg based codec. H264 obviously reduced file size significantly, which is great. But since this question pertains to whether ProRes4444 or DPX is better for VFX, I’ll give it a try here. Avid DNxHD is a codec developed by Avid, the makers of the popular Avid Media Composer software. for use in post-production that supports video resolution up to 8K. Community guidelines. However, there are six versions of ProRes, each of which vary in bit rate (and file size). Posted by Ryan Mcrobb on February 28, 2015 at 11:06 am Hi guys, our broadcast suite at work currently records all its video content to Apple ProRes 422 (HQ) using four Sound Devices PIX 270i units. You won't want less than ProRes 422 HQ for final results anyway. And in the Adobe World, you'll always output using the full quality material. more. Avid ® ( Nasdaq: AVID) today announced that Media Composer ® will deliver native support for Apple’s ProRes RAW camera codec and support for ProRes playback and encoding on Windows. Playback only of ProRes 4444 QuickTime up to 2160p60 with auto routing of fill and key over SDI A and B outputs. These are some of the possibilities: 23. . 94, DNxHD220 is similar to ProResHQ. I use DNxHD and DNxHR codecs to share deliverables from DaVinci Resolve in the highest quality possible. Choose it in the drop down, and hit the “Codec Settings” option. DNx has ranging issues when working outside of Avid, often being interpreted as full range, even if legal. Now a Panasonic GH4 with Atomos Ninja Assasin recorder will join the mix. DNxHR 444. 它可与 DNxHD 或 CineForm 相媲美，后者提供相似的比特率. Neil. This was posted a while ago and I still think there's something seriously wrong with the DNxHD clips. First, while you can AMA/Import the footage okay and edit okay; you can't export at all. Pro Res works better on Mac, DNXHD works better on Windows. cancel. DNxSQ is 8 bit. Hallo Mike, for Apple ProRes and Windows your Software Company need a deal with Apple. If its a feature, try to break it up into 20ish minute reels. Your camera most likely records H. But from using the Hyperdeck Shuttle2 to record HD, I discerned a better quality image using ProRes than DNxHD. Most often I shoot ProRes HQ. .